NEWS MARCH 2002
THE GREAT MOMENT
What? We missed another month plus change in the life of this, your treasured on-line Drag City Newsletter? Well, god-damn, man...the time sure does slip away here in the military-industrial complex we don’t dare call home...no, the name of this (God) complex is Drag City. And as far as we’re concerned, we’re not late for January — we’re early for June! But late for February, it’s true. But early for March! But not for long...

March already! We’re late for that very important date once a-motherfuckin-gain! At this point, what can we say regarding our shameless lack of punctuality (not to mention timeliness) in the newsletter department? Disappointed description readers should take solace — for every moment we weren’t here, inscribing the once and future Drag City greatness in store for you culture vultures, listeners and other assorted flotsam and jetsam, we were out on the frontlines, pitching our records, books and magazines (and the odd video) to real-life buyers and sellers. Thus insuring a future featuring more, more, more! of what you crave and what we’re so in love with today. So rejoice! But save the rejoicing for later, okay? Right now it’s time to tell you a tale or two — from the never-ending story that is — Drag City. So while you ponder the true meaning of the word ‘monthly,’ let us regale you with the story — of how we got so crazy-busy — and about how it might just have to stay that way FOREVER.

Ready? Here we go —

IN REVIEW
The last six months of honorable ‘aught-one (god bless ‘er) saw the release of bold new full-length albums from Edith Frost, (Smog), The Drag City Supersession, Papa M, Silver Jews, and Jim O'Rourke. Plus there was Orton Socket, Triangles, Nurse With Wound, Little Annie, David Grubbs, The Adventures of Royal Trux comic, The Minus Times, and all of the rest of our cavalcade of stars. Plus, there were all those records we should have put out but didn’t (you know who you are — and don’t call here again!). Such a heady time! And with Edith, The Fucking Champs, Neil Michael Hagerty, Papa M, David Grubbs, Sean O’Hagan and all the rest out on the road, business was booming! T-shirt sales alone were cleaning up! Not to mention ticket sales, record sales, CDs, vinyl, you name it...we were psyched. But maxed. God, we’ve worked so hard, just putting all those O’Rourke LPs and CDs into boxes...if only he knew. Or cared. It’s been so hard.

But then we heard about this year! And we were, once again, psyched.

Naturally, aught-two’s a work in progress — a work in progress that you’ll come to love and loathe as we do. Some of the names in store for you? Stars and future stars — what else, fool? Here’s how the list looks at the moment: Brother JT3, Papa M, HNAS, Mimir, Jim O'Rourke, King Kong, Xhol Caravan, Kev Hopper, The Fucking Champs, David Grubbs, Suntanama, Weird War, The Continental OP, Cynthia Dall, Royal Trux, David Berman, Phill Niblock, and, of course, more. And that’s not to mention the just-released new entries from Alan Licht, Neil Michael Hagerty, David Grubbs, Luc Ferrari, and Workshop.

And not one of this bunch is less than a solid, mood-elevating, consciousness-expanding, mind-controlling entertainment for the whole freaky family. What else can we say?

Read on...

MAKING IT HAPPEN
As we speak, new records and other things are insinuating themselves into your collective consciousness. And some of them are new records and other things that we ourselves just released to the marketplace! So pencil in a trip to the marketplace ASAP to catch up on these delightful new entertainments! But don’t rush out into the snow without getting the titles straight!

Those of you Drag City extremists who have already been down to the local shop can skip ahead — unless of course reviewing moments of pre-experienced greatness will make it all come back to life once again. Should that be the case, this bud’s for you.

THE NAME OF THE GAME (NOT ‘GO INSANE’)
...is rock and roll, people. We’ve put out a lot of records over the years, with a lot of different sounds and visions. But it’s all coming from rock and roll, isn’t it? And over the years, the flagship records of Royal Trux emulated that basic truth. But now that Royal Trux are no more, who then will carry the flag? We’ll give you no guesses — the name of our flag-bearer of choice is Neil Michael Hagerty, and Plays that Good Old Rock and Roll is his brand new gambit, a latest fusing of electrons in the name of good old rock and roll. Always a progenitor of disciplined entertainment, our boy obviously lives and breathes the title of his new release 24-7. Plays that Good Old Rock and Roll deals it out evenly; blues, soul and pop, various permutations of metal (including garage), the invariable homage to the James Gang and their ilk...it’s a full-bodied rock and roll experience, to be sure, and all part of an incredible sophomore year for the man alone known as Neil Michael Hagerty. More on which in a bit.

The thrill of it all will be apparent to a goodly number of you Americans out there in the mix when Neil Michael Hagerty and the Neil Michael Hagerty band take it to the streets in March. They’ll be playing songs from Plays that Good Old Rock and Roll and who knows what else? Or how? When pecking up his set list, Neil usually aims for the sky and then overshoots by a gravitational mile or two. As they wind on their path to All Tomorrow’s Parties (the festival, not the parties) in L-fuckin’-A, traveling as a trio this time around, they’ll deliver the kinds of thrills and chills that would normally be expected from at least five or six guys. Which means it's more for your money, innit? That’s the way we’re pitching it anyway...

AN EMOTIONAL RESOLICITATION OF ALAN LICHT’S BOOK
Made available at the same time as Neil Michael’s new opus, the once-or-twice delayed paperback book from Alan Licht, An Emotional Memoir of Martha Quinn is now among us. Alan has gotten to the point in his life where it just made sense to retell bits of his own history, a story which unfolds easily and includes sections on 80s pop musics, NYC and current directions in rock (with unfortunately, no justification of The Strokes – we’ve been waiting!). It’s a street’s-eye view of the whole thing, with no journalistic pretensions (or lack of solid information) getting in the way. Reading through it, it’s hard to believe it all happened so easily — it seems a lifetime ago. Anyway, it’s a great read and once you’re done reading this, you can arrange to get a copy of that and read it. Available from fine booksellers (Baker & Taylor, Bookpeople, Last Gasp, Small Press Distribution) — check and see. And consider this — Alan is available for reading engagements — so if you've got an event of some kind coming up, give us a call!

ON THE BLUE CHOPSTICKS SIDE OF THE STREET
Blue Chopsticks had a nice moment on our February release date, with three diverse releases to appeal to any number of forward-thinking folks. First, there was Workshop — whose pop offering sung entirely in German have an exotic flavor to us English speaking types. But the exotic nature of Es liebt Dich und Deine Körperlichkeit ein Ausgeflippter is due to more than just the sound of a foreign accent. Workshop has an original viewpoint and a fresh sound, and we dig ‘em. And judging from the orders we got, Workshop is the kind of acquired taste that the young ‘uns are now acquiring. Then there’s Luc Ferrari's Cycle des Souvenirs, an all-new set of recordings. The minimalist composer is wearing several of his reknowned ideological hats this time around, in a work he refers to as ‘aural autobiography.’ What we’ve heard when we played Cycle des Souvenirs: a wavelike motion, many comings and goings with lots of sensuous French whispering and melodic themes moving through the shifting backdrop...all of which adds up to form a contemplative picture for you to hear. It’s a pretty package. And the rest is up to you...Also on Blue Chopsticks, a new direction in music from David Grubbs. He’s dabbled in lots of non-pop composition over the years, ranging from Gastr del Sol all the way through his recent collaborations with Mats Gustafsson and the fellows over at Rectangle. Here, David’s got lots of folks, including Tony Conrad, all downloaded onto his computer, where he takes his best shot at manipulating the proceedings into quarter-hour intervals, with themes, slight returns and all that. It’s a fun listen, and its called Act Five, Scene One.

Thus caps a grand triumvirate of new discs from Blue Chopsticks — out now!

MARCH!
So, at this point in the tale, we'd gotten Hagerty, Licht, Grubbs, Ferrari and Workshop (plus all the records from the previous ten years) out the door and set our sights on the next wave. That brings us up to the present, sort of — more on that in a few paragraphs. But first — On March 11, 2002, we’ve got more releases for all of you. YEAH!

First off, there’s Spirituals from Brother JT3. It’s the second Brother JT3 release on good old Drag City, the second produced by Neil Michael Hagerty, as well (Neil co-produced Way to Go as part of Adam and Eve back in ’99). Brother JT wears a more complicated coat of colors on Spirituals than on Way to Go or previous Brother JT releases. The good Brother's got some preaching to do, but in a sweetly melodic setting, with acoustic guitars ringing, flutes and recorders riffing, with liquid leads and gentle mid-tempos...it’s full-on sandals rock. If you check the MP3 on our front door, you’ll find that JT’s crafted a stoner anthem in “Mellow” — an instantly compelling tune with lyrics that just keep knocking you out. There’s a few more of them on Spirituals as well as some other things that make Brother JT great, like lots of rock and roll, heavy religious moments, a jam, two traditional songs, more melodies, cultish weirdness and an air of grooviness that just won’t blow away. All without breaking its pure pop stride.

Spirituals will be available for you to move into any day after March 11 — it's ready right now.

Also with the Brother JT3 LP and CD, we’ve got two discs on Streamline, both of which reissue Streamline releases from earlier on that didn’t get wider currency back in the day, whenever that might have been. Both have been remastered and sound as crisp and as clear as they never have been up until now. And both involve Christoph Heemann, curator and contributor to his very own Streamline label. The first of these is a reissue of the third Mimir album. Mimir is Christoph’s kind of group — the collected efforts of Andreas Martin, Jim O'Rourke, Christoph, Edward Ka-Spel (of Legendary Pink Dots), and Silverman, all of 'em improvising their butts off. These performances were then put through the blender by Christoph. That these contributions came over the course of years should surprise no-one. And Jim O’Rourke swears all of his bits were done back in 1990 (this record first came out in 1999). The air of mystery is tangible — but we're to tell you, it's all improv and editing, folks — and the result is post-modern psychedelia, beautiful and terrible, entrancing. The other Streamline release dates back to 1987 and might excite more than a few of you. It was released on the Dom label (Christoph’s first joint). Does the name H.N.A.S. mean anything to you? Im Schatten der Mohre is the third of their four releases. For those not in the know, H.N.A.S. (short for Hirsche Nicht Aufs Sofa — provide your own translation) worked in the cut-up industrial psych vein of Nurse With Wound and that, providing a colorful, often whimsical version of their own. And like I said, this is their third album, a cult classic, cutting sharper than ever. Don’t play this too loud at home — they’ll be coming to take you away before you know it. Or play this loud at home when they're coming to take you away — you decide.

Yep, that’s March for you — Brother JT3 Spirituals, Mimir S/t CD, H.N.A.S. Im Schatten der Mohre CD — all coming your way starting on March 11th. But that's not fucking all. Additionally new on that date are two incredible items you're not going to want to miss: Papa M Three Songs” 3"CDEP and Jim O'Rourke’s I’m Happy and I’m Singing and a 1,2,3,4 LP/CD. More on these intriguing items below! But first...

WHAT LIES BEYOND?
After the merry month of March, what could we possibly have planned? The merry month of April, that’s what. And after that, May etc. And what’s going to happen in those months? Oh, lots of stuff. April’s offering is a bouillabaisse of King Kong, Kev Hopper, and Xhol Caravan, plus that rarest of quantities, the split 7", this one featuring Bonnie ‘Prince’ Billy and Rainywood. Here's a capsule preview of each.

The King Kong album is an all-new King Kong album (in several ways) entitled The Big Bang. As you might have guessed, the entertainment to be found on The Big Bang includes lots of adventure, including a song called “Space Travel” (check the MP3 on this here site!), tons of synthesizers, a secret moral to the story and, best of all, forty-five minutes of truly rump-shaking disco moves. Ethan Buckler’s admiration for rhythm and blues music has long guided the hand of King Kong — through five albums and several phases of maturity, to be precise. This latest incarnation of King Kong is the ultimate one, and The Big Bang is King Kong’s masterpiece — believe it.

The Kev Hopper release is an EP — a CDEP only, as a matter of fact. Kev’s new one is called Saurus.” The master of the musical saw is back, but Kev plays other instruments too — and Saurus” features more than just his entrancing saw-work. There’s even a composition involving lyrics and yes, singing. On an otherwise instrumental EP. It sometimes happens. Ask Papa M. Fortunately, “You’re a Delicacy,” is eminently worth the ink and air expended towards its realization. And Saurus” is a delicacy all of its own, a lush little weiner of an EP (how’s that for getting the crossover vote?).

Also on the Kong / Kev date in April, the madness and mystery of Xhol Caravan will be revisited, courtesy of the Streamline label. See, Christoph Heemann, head mann at Streamline, he loved this group from the minute he heard their records, all of which were released on German record labels in the years between ’68 and ’72. Xhol Caravan was wild late German psychedelia, pre-prog if you will, and in the case of Motherfuckers Live, totally live. Their approach gets around, ranging from a medley of short songs to an out-and-out jam on the second disc that rivals the extended jamming on sides one or two of the Soft Machine’s Third. The two performances captured on this double LP have been previously released as a double-CD, but it sure sounds great to hear them on the vinyl. And that’s not all. Included in the package is a 12"EP in a separate sleeve — shrinked together with the gatefold double-LP — with Xhol Caravan tributes from Current 93, Nurse With Wound, and their old buddy (and yours) Christoph Heemann! Each was massively influenced by Xhol, and each take a shot at their own impressions of the various phases of Xhol, and the result is extra gravy for you. Again, we pause to marvel at the superior quality of the vinyl on the EP, everything sounds so rich and spacy...

All this plus the Bonnie 'Prince' Billy / Rainywood split 7" — a pair of Kate Wolf cover tunes. Kate Wolf, the late Kate Wolf, is a shining little stone, much loved by the strange androidal humans that buy organic foods. Her songs "Brother Warrior" and "Cornflower Blue" are the songs of choice on the single. Rainywood is from California and Alabama, and are currently on tour way out west with the Bonnie 'Prince' himself — check your tourdates, man!

All of these will be hitting your streets (or streets like them) in mid-to-late April — so more on them in April.

THE NEXT MOVES
The May and June releases will have to be discussed at a later date. Too bad too — since this here is where everything gets even more exciting! May 13 brings the world it’s new full-length LP/CD releases from The Fucking Champs (yes, V) and David Grubbs (Rickets & Scurvy). Later May brings releases from The Continental OP (producers of Bonnie ‘Prince’ Billy’s Ease Down the Road and mixers of Papa M’s “Whatever, Mortal”, wink-motherfuckin’-wink) as well as a new addition to Drag City’s Solar System of Stars: New York City’s own The Suntanama. Their self-titled new release is produced by the ubiquitous Neil Michael Hagerty, who captured them in all their raging, semi-acoustic glory. Putting that one is gonna be crazy. The Suntanama are a whole new thing. Then in June, we’ll have the triumphant LP/CD return of Cynthia Dall — her long-awaited sophomore release is entitled Sound Restores Young Men. It's a harsh metallic sweetie — put that in your papers! Plus, the debut of another new group that’s gonna drive ‘em wild. Turns out Ian and Michelle from The Make Up know Neil Michael Hagerty — it’s a DC thing (the district, not the label abbreviation) — and they decided to form a new musical democracy and call it Weird War. Could it be a utopia, as well? The outcomes of this union will be available for you to see in June, too.

ALIVE, WE WEPT
Over the years, a lot of true and false things have been said about us here at Drag City — and one of the things that is undeniably true is this: we like music. We like it a lot, and in addition to all the records and CDs we’ve piled up over the years at home (not to mention that garbage bag full of cassettes), we’ve put out a couple hundred here at the label (including a garbage bag full of cassettes) — and we like to listen to them, too. Frankly, we fuckin’ love ‘em, but there’s always something exciting about seeing the artists you really love take it to the stage. That’s the best — but some of our favorite artists are dead and some are just too old anymore to pull it off. This we will have to accept. But what we really can’t accept is when our stable of hot living Drag City artists won’t get out there and make it happen. PLAY LIVE, DAMN YOU!

Fortunately, this problem really isn’t bugging us right now — we’ve got loads and loads of bands fixing to tour as we speak.

March brings Neil Michael Hagerty and U.S. Maple to the West Coast. Bonnie ‘Prince’ Billy too! Edith Frost follows them all out there for some rare western shows in April. Moikai's own Orton Socket will be playing shows exhaustively from west to east (and back) in April as well. Rob Mazurek fans, unite! Then in May, The Fucking Champs get started, in defense of their extremely new LP/CD release, V (!). And by then, who knows what else’ll be going on! But who cares about then? Check out the dates nearest to you as soon as you can — on our Tour Page...

PAPA M OFF TOUR
Well what do you know? In January, the ever-mysterious Papa M conducted another semi-national American tour. The dates were played by a band of one: the man himself, “Papa” David Pajo. What did you expect, someone else? But it’s true, you never know what you’ll get wif ol’ (Gram) Papa M. A year ago, he turned in an EP from left field entitled “Papa M Sings.” His singing debut, he promised, was not indicative of any new trend in the world of MPapa promised! Yet that is exactly what came to pass. I mean, trust us, “Whatever, Mortal” is all different from “Papa M Sings," but still...the case in point is, you'll never know what Pappy’s got comin'...

Anyway — a year later, we find him riding along, surfing on the deadly fumes of the jarring, melodic “Whatever, Mortal” — and Papa’s obviously digging the piano-man persona that comes along with songs and singing. The just-concluded tour found him in well-rounded entertainer mold, leaving the audience with tunes, tears, laughter and performance — a little something for everyone to remember. Good God — is there anything Papa M can’t do? We expect the answer will come...slowly and methodically.

While we wait, here’s news. Papa M has a new CDEP available RIGHT NOW. It's called “Three Songs.” Not coincidentally, there are three songs on the EP. Believe it or not, some of his freaky fans have already been asking around for it! Those reading this, you know who you are — now return to your caves! I’m sure your bison is almost cured. Seriously though, “Three Songs” sketches another chapter in the new Papa M mythology — on the xtra small 3-inch CD format! The girls will be so pleased — xtra small is their size, right?

But wait! There’s more. This 3-inch CD is available exclusively as a Drag City mailorder item, as well as an item available in selected stores around the country that buy from Drag City direct. Those what don’t — ain't won’t not gonna have it. "Three Songs" is not only a tiny CD — it's also a tiny pressing as well (all the better to be compiled on later 2002’s Papa M Singles comp (PMS for short, y’all!)).

The "Three Songs" CDEP is $5 from us — and if you order it now, we’ll be able to ship it to you sometime verrrry fucking soon. It’s just a click away, hoss.

O’YEAH! (THE JIM O’ROURKE UPDATE)
Jim well, what can we say? Jim’s been everywhere! His third Drag City full-length release (Insignificance) came out in late November. And we haven’t had a moment of peace since then. Everybody wants a piece of Jim, and we’ve got lots of them — in little 5” plastic packages and the venerable old 12”x12” long playing vinyl albums. That's keeping us busy — but what about Jim? Oh, he’s real busy too, working on lots of little projects. He did the score for that Love, Liza movie that got picked up and should be hitting your local art house real soon. And he just finished work on Olivier Assayas' new film Demon Lover, which stars Chloe Sevigny and Gina Gershon amongst other "hot" ladies. And these are good movies too — or should we say ‘films’?

As the official head honcho of the Moikai label (home to releases from Nuno Canavarro, Lithops, The Frogs, Ray Russell, Fennesz, Pita, Rafael Toral, Kevin Drumm, Aki Tsuyuko, Orton Socket, and Triangles), O'Rourke promises you the listener more fireworks in the year to come — starting with long-promised CD titles from Phill Niblock and Alvan Curran, then segueing into a new, all-analogue phase — namely, vinyl reissues of albums previously released on CD only! Oh, Moikai, where will you take us next?

He’s still in the steely grip of Sonic Youth, of course committing their “latest” to tape. And hopefully getting some REM sleep — we hear those SY geezers like to work early — and stay till late (with a generous nap in between). O’brother!

Jim’s actually gonna do some shows, not his own of course...so here they are, catch them if you can, the Jim O’Rourke 2002 world tour dates.

MARCH
5 New York City
Phill Niblock's "Experimental Intermedia" NYC

18-26 Jim, Mats Gustafsson, and old Thurston Moore take Japan.

APRIL
14-Paris
The Louvre — live music for films (Jim - did you get permission this time? -ed.)

18-Reithalle — with Mirror (Christoph Heemann, Andrew Chalk, and Jim)

20-Bremen — also with Mirror

26 London — with Kim Gordon’s group (DJ Olive, Ikue Mori, Kim, Jim)

You can’t miss Jim live, no matter who he’s representing for. Funny things tend to happen when Jim’s onstage...take, for example, the incidents that occurred at The Bottom Line in NYC recently. Somehow Jim was on the bill with Phoebe Snow and Joan Osbourne. What were they all doing there? What else? Sparks covers. Don Fleming filled the role of Ron Mael, Jim handled Russell as best he could. Alive in the moment, Joan caught bits of Don’s nether regions in her grip. Jim was left unmolested — and unsatisfied. Why couldn't he get a piece of that? Better luck next time, O’Rourke.

Meanwhile, we here at Drag City have taken control of hundreds of copies of Jim’s recent Mego release, I’m Happy and I’m Singing and a 1,2,3,4 on both vinyl and CD formats and are preparing to sell them not only to stores and distributors but also the people nearest to the hearts of our wallets — you lovely mail-order customers. The vinyl won't be in for a couple weeks, but the CDs are available now. Take a trip to the Special Orders page right now to see and hear more about how to buy this potentially limited item. And don’t forget to order you a Papa M 3-inch CD while you’re there.

This has been O’Yeah — the official Drag City sponsored Jim O'Rourke update.

ON WITH THE SHOW!
And now, dear children, we really must close. We apologize for the unsightly length of this new newsletter — but we had more than one month to cover, didn't we? We’ll try to get back to our monthly newswriting ways — so think of us every once in awhile, would ya? We’re only putting out the best bunch of records you ever heard of. Ever.

Now then — onward!

Drag City
March 2002