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BEAM ME UP, SCOTTY!

posted January 22nd, 2021

Broken nation time! Dark skies over our days, an increased reliance on black-market products. Wanna buy some 5-year old sunshine? With 2020 hindsight, it’s looking pretty good. Now you can treasure yours forever, with a special 10" release!

Smash-cut to 2015. Ty Segall and Cory Hanson with guitars on their chests, stretching songwriting muscles and finding, to their delight, new possibilities at every run up the neck – a new normal every second. This means trading vocal parts mid-song, then trading back again, modulating madly through... (read more)

Artists in this story: Ty Segall & Cory Hanson

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PEACERS IN THE VALLEY! THE REC-ONING IS HERE

posted January 21st, 2021

An electrical tension enters the room – a guitar, left to its own devices, surfing the breeze. Breaking in the air, smiling from ear to ear. And so! The Peacers are back with their third album.

Three years since they went about their sophomore affect, Introducing the Crimsmen – and the time has been kind. You know how it is in these important years, everything changing. Lots goes down, lots to go back through later. The second The Peacers record was made by the second The Peacers... (read more)

Artists in this story: The Peacers

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NEW BUMS SPRAY US WITH "GRAFFITI"

posted January 18th, 2021

2021, and the voices that nobody thought to ask for — New Bums, that's who — are echoing once again from another rented return deep in their nocturnal urban jungle, where all the folly and failure in the world is like an elegant fever dream you want to have every night, and do. Why now? Why them? Why not? Besides, New Bums — Six Organs of Admittance's Ben Chasny and Skygreen Leopards' Donovan Quinn — have a new album coming, and "Tuned to Graffiti" is... (read more)

Artists in this story: New Bums

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BILL STONE'S "PURPLE" REIGN BEGINS

posted January 14th, 2021

From the barely-there annals of private press, hippie folk-rock history… comes a reissue of the one and only Bill Stone LP, on Drag City/Galactic Zoo Disks. Bill Stone started out playing in a few small folk ensembles and stepping out with occasional solo gigs, which led to the 1969 recording of Stone on a 2-track Panasonic tape recorder in a pottery studio (!?) in Boothbay, Maine.

This private press rediscovery bears the distinguishing marks of the period, its gently interlocking acoustic and electric arpeggiation weaving... (read more)

Artists in this story: Bill Stone