Ty Segall has a mountain of song at his disposal and he's capable of wielding boulders from it at any given moment in any situation, be it live or on record! His "Fried Shallots" EP came out a month ago to benefit the American Civil Liberties Union, but Ty Segall is liberally still touring off the back of January's Self-Titled release, a masterpiece of his ever evolving catalog! Accompanied by the ever flowing Freedom Band, Ty is set to tackle the Southwest portion of... (read more)

After the thousand days and nights since their last album, Chills on Glass, Dead Rider had to overcome the creeping suggestion that they multitask themselves to sleep - or to premature brain death - whichever came first! And thank gawd, too, because that means we've got a new rippin' album to dig: Crew Licks is hot on our tails! Right on top of it's September 22nd release, Dead Rider will bring the chopped-n-screwed skronk, acid-drenched guitar licks and lode-bearing beats on the road, direct... (read more)

Fine citizens: come get Trux'd upon, fresh off the release of Summer's hottest "LIVE" album! As if you didn't know, Royal Trux has been giggin' all over the world this year, but shit, that's just the Platinum-tip: they've got more tricks (shows!?) up their sleeve! This month, the prodigal son and daughter descend from the Garden to make stops at two of North America's premiere festivals! First off there's Pop Montreal, which in our opinion is a wise move if you wanna get... (read more)

After a whirlwind initial phase of writing, recording, and touring at a frenetic pace, Plum marks a period of relative patience for Wand, a refocusing and a push toward a new democratization of both process and musical surface. Process, surface, democratization - sheesh! Listen, above all it's some deeply moving and exploratory-as-fuck rock music, and there’s no better example of these sonic attributes than freshly dropped new single, “Blue Cloud". For some insightful journalism, we refer to a quote from esteemed British rag, Uncut,... (read more)

If you, the discerning record collector, has even a passing interest in the posthumously named genre "acid folk", surely the name Ed Askew is in your golden pantheon. Askew recorded the sublimely gorgeous LP Ask the Unicorn in 1968 for the legendary proto-DIY label ESP records, which has now been recognized as a god-damn underground classic. Armed only with a tiple (sort of a South American mandolin), Askew spun tales of doomed sisters, crashing universes, budding gay love, and a serious fondness for roses on his rare, precious and beautiful album.  

Yeah, so Rock and roll? Basically a used-up coloring book at this point. Some nice colors and shapes in there; for anyone who worked one of them, a useful blueprint. But when you're trying to raise high out the beams of something for NOW, who better than to Dead Rider to savagely rip out pages and paste in new color combination to suit the mood of today? Take "The Ideal"! Ever wonder how Crew foreman Todd Rittmann has been able to sling smooth rhythm &... (read more)

Chris Gantry's music was always stylistic fusion: his 1967 album debut Introspection sounded a little bit folk, a little bit pop and only a little bit country, with smooth melodies and verdant string charts. But the 60s were afoot, and by the time of Chris' second LP in 1970, Motor Mouth, his approach had radicalized into a wide-eyed, hard-edged delivery. The critics dug it, and Chris played on Johnny Cash's TV show, but the next Gantry record didn't appear for five more years.... (read more)

With the release of her Drag City debut, Sapropelic Pycnic, out on September 22nd, Ka Baird emotes a much-needed cry for the sacred and the divine in our everyday life. Far away from the flies of the media and the marketplace, she manifests an evolving selfhood in the witness of holy spirits that we all too often ignore in the rush of our tech-infused, 24-7 info-feeds. This is the essence of Ka's music - forged under two albums released under the name Sapropelic... (read more)

Sean O'Hagan's work spans enough decades that you probably aren't aware of all the places you've heard it. Of course, he's been the guiding voice in the High Llamas world of avant pop since way back in the 90s, and you should likely know him as a key arranger for Stereolab (he's collaborated with Tim Gane on other projects as well, including Turn On); older heads may also be familiar with his first band, Microdisney. Old news to you? Read on, friend!

IS THERE SOME PLACE LIKE HOME?

The summer of long (neé love) is dragging on. We're still here, however improbable it is to call something so unfamiliar 'here'. But that's life - the world we came into is ever-receding, and we're left to erect new landmarks (but heaven forbid, statues! - up-to-the-minutemen ed.) along the horizon as we increasingly lose ourselves in it. Some folks make their mark and then move on. Not good ol' Drag City. The marks made by... (read more)