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Okay. We’re done with Black Friday, Shat-erday Saturday, Stupor Sunday, DONE Monday, Offline Tuesday, When-will-this-end Wednesday, Is this Still Going On Thursday...you made it, to Drag City's much-awaited and completely exclusive Next Friday!

This Christmas season, we know what you really need: friends. The kind that can be bought with gifts. But not just any gifts. OUR gifts, grifted from the gifted, snatched from the cradle of the current and ready to ship TODAY.

THE LAST KNOWN COPIES KNOWN TO MAN

This holiday season, give yerselves the gift of LIVE. That's right - as 2019 crashes to a close, we've got a hotbed of shows hither and yon to recommend to you. And - great news! - they're all Drag City artists, so you don't have to worry about quality at a precious time of year. But seriously, pay attention. This is complicated, with lots of different towns and time zones involved. You'll need some extra miles to do it right, there's some tough choices to... (read more)

 
The otherworldly musical duo of Greek singer and lute player George Xylouris and Australian drummer Jim White is an intercontinental match made in musical heaven! As a duo, White's wild n' fluid percussion enmeshes itself with Xylouris' inventive playing and resonant vocals to completely buck convention or trend - it's just a totally mind-opening experience from the opening cymbal crash on record or in person.  
 
Having just finished up gigs across Europe, Xylouris White are about to embark... (read more)

Less than six months since the release of Shepherd In a Sheepskin Vest, our hero Bill Callahan takes a victory lap through the country with a fresh (digital only!) single consisting of two, infallibly Callahan-ed up cover songs! Bill's take on Lee Clayton's classic, "If You Could Touch Her at All," walks a mile in some BIG shoes--by which we mean the boots of Willie, Waylon and George Jones, all of whom did great versions of the song-- casually and confidently. With the classic... (read more)

When it's all looked back upon and counted, the moments may seem like few in this life that we're required to stand tall and shine out to the world before us. Yet they are legion. With "Squid Eye", from the now-out I Made a Place, Bonnie 'Prince' Billy counts the ways, extolling the promise of a future once we're prepared to "take from the awful an awesome". Cascades of guitar, flute and sax herald this celebration of knowing and persevering, as strength... (read more)

A new year is on the horizon. While many of us are struggling through the inevitable tangled mess that has amassed over the course of the last quarter or two, with the finish line in blurred details somewhere ahead of us, OM have already moved on. Thoughts of this year, and of their splendid BBC Radio 1 release, while pleasurable, have already been dealt with - and now, 2020 is fast being written into the books. This Friday, tickets go on sale for a month... (read more)

Hamerkop is a pair of Baltimore-based sound nerds: Annabel Alpers, the composer, singer and instrumentalist formerly of New Zealand's Bachelorette, and Adam Cooke, a Baltimorean drummer/audio engineer with credits that include Beach House, Wye Oak and Future Islands. Together, they have created a song-cycle that contrasts the often-mundane (yet often satisfying) everyday world with that of the idealized, longed-for fantasy, to find the spaces in between these things, the place where we all feel good about our existence.

Hamerkop's... (read more)

Corky's Debt To His Father is a solo album by Mayo Thompson, a founder of the Red Krayola. It was recorded and released in 1970 on the independent label Texas Revolution. The record is an experiment in the genre of solo singer-songwriter format and as Thompson says, it "embraces the personal and treats the instrumental power of music for the sake of expression."

Thompson will perform a single show at New York City's (Le) Poisson Rouge on December 8th. Other than the 2013... (read more)

Six Organs of Admittance is back with a new record, new techniques in sound generation, and a new energy. Arriving three years after Burning the Threshold, Companion Rises has a driving force only hinted at previously. 

Methodologically, Companion Rises sometimes recalls the early-mid lo-fi Six Organs records, with digital processes substituting for the analog techniques of yore and, instead of Ben's hand percussion overdubs, algorithmic programs generating rhythms. Ben created all sounds and programs, did all the recording and... (read more)

Seasons, they come and go - then they come again. It's not always true of records, but the best ones do have a way of becoming perennial in the long-suffering jukeboxes of our lives and minds. Since the untimely passing of David Berman, the Silver Jews catalog and the Purple Mountains album disappeared from record stores, vanished by the incredible demand that grief and memory incurred. Now, the first buds of a new season are appearing - some Silver Jews CDs, David's lone volume... (read more)