What's harder to accept - that three African-American brothers in mid-70s Detroit channeled proto-punk music in total obscurity and weren't TRULY heard doing so for over thirty years - or that it's been over seven years since we all finally got it with the release of For the Whole World to See? Both spans of time seem interminable, and yet, the freshness of Death's music has sustained them through the years of touring since then, supplemented by two additional archival releases and last year's... (read more)

Artists in this story: Death